"We shot in his apartment in New York; that seemed to be the most convenient. We just cleared out the living room and shot in there. I had built a few things because he’s so meat-centric, and pork-centric, so I traced a butcher’s pig onto two pieces of plywood, so we would have the graininess of the plywood as a backdrop with the butcher’s illustration.
We needed a straight portrait as a secondary thing, so he showed us these custom leather knife bags he had gotten made for himself and a few of his friends. He had met a leather worker and he had them commissioned, so the bag was special to him. [What ended up running] was a variation on a super straight shot."